Friday 29 June 2012

Increasing Customer Confidence in your Small Craft Business

 Customer confidence and credibility are important for all buinesses and arguably even more important for a tiny business. 

as seen in Mykonos, Greece

Most craft business owners are not just business owners: they are often the designers, makers, sellers, packers, customer services department, website designers, technicians, promoters, marketers and gophers for their business.

Phew! No wonder there aren't enough hours in the day!

 These diverse parts of a business are each very important - but, despite wearing all these hats, it's vital to come across well to customers and create credibility.  How will people know they can trust you otherwise?  You haven't got the backing of a big, well-trusted brand, and you're busy, so what can you do?

For me, these are ways to help gain credibility with customers:
  • Create good designs that people want to buy and make them to the highest standards you can.
  • Make sure your customer service is second to none.  Respond to any negative feedback or customer unhappiness immediately and do whatever it takes to make that customer happy. 

 respond to emails
  • Be quick and speedy wherever you can - respond to emails several times a day, including evenings and weekends and send items out promptly (it may not be next day if you're making to order, but it should be as soon as possible and the customer needs to know when to expect it).
  • Get featured in magazines (I don't mean paid ads) and newspapers.  There's something inherently trustworthy about a featured product - and it needn't cost anything.  I'll be blogging about how to get featured soon, so watch this space.

magazine features can increase customer confidence
  • Get customer feedback and publish it!  Either have a page on your website, and/or have a page on an independent website like Free Index.
  • Be easily contactable. Not just contact forms and email, but a landline phone number, Twitter and Facebook are all ways customers might want to contact you and the more ways they can contact you the easier it will be for them to trust you.  Oh, and don't forget your blog - they may leave a comment on a relevant post.  All this contact information should be easy for your customers to find.
  • Add the personal touch whenever you can.  Do this in emails to your customers, responding to requests, popping a hand written note in with orders or maybe even offering to giftwrap an order that's going direct as a gift.  

  • Show the real you at times in your blog, Twitter or Facebook (but be wary of putting people off by sharing too much!)
  • Be nice to people, including your competitors.  What goes around, comes around.
Increasing your credibility in small ways should help to show that you and your business can be trusted.   If you somehow manage to fall short, own up and apologise.  Mostly, you'll be forgiven - people generally respect honesty.

What do you think?  Would you add anything else for increasing that all-important customer confidence?  Leave a comment and let us know!

Thursday 28 June 2012

Tea and a Chat with Charlotte Hupfield


Hi Charlotte!  Good to see you, the kettle’s just boiled – what would you like to drink?
Hello! Tea with one sugar and plenty of milk would be lovely please.


So, tell us a bit about yourself and your business.
I’m a ceramic designer/maker based in the heart of Northamptonshire. I make individual collections of items for the home and garden, many of which make ideal gifts for any occasion including vases, bowls, coasters, clocks, hanging decorations, sculptural vessels, ceramic art, plant markers and accessories. My workshop is based in my garden where I love to spend time making and thinking, with a cup of tea of course!

What inspired you to start your creative business? How did it all begin? 
My journey began when I found myself fascinated with the qualities of clay as a material while at college. I loved art and being creative at school. My college A Levels were like a foundation course, as I was able to get involved and experience every material to know which media I wanted to specialise in.


I had always enjoyed surface pattern and design, which led me to go on to University in Coventry where I studied a 3 year BA Hons degree in Surface Decoration, and specialised in ceramics. I graduated in 2008 and have since been continuing to develop and broaden my work from my workshop at home. I am so proud of how far I have come during the past few years, and am so pleased with all of the amazing things that have happened. I can’t wait to find out what lies ahead of me in the future!








How has your business changed and developed since it started?
I started off sharing a kiln with another ceramicist a few years ago, but then I was offered a small kiln of my own through a friend of a friend. This was great for a while until the kiln became too small for my needs, and it was early this year that I had my new large kiln installed. It took a while to get there but it happened, I love my new kiln!

The business wouldn’t exist without each and every one of my lovely customers. My customer base has grown significantly over the last few years. Things have certainly developed since my new website launch last year too.











What are the main ways you promote your business?  Which methods have been the most successful for you?
I would advise anyone with a business to start using social media for promotion if they don’t already, it’s amazing what you can come across! I’ve had many sales via Facebook and Twitter, and have also built up a wide range of like-minded friends and contacts such as gallery owners. I also took part in a competition on Twitter called #SBS (Small Business Sunday), ran by BBC Dragon Theo Paphitis. Never in a million years did I think he would ever retweet a link to my website, let alone get the chance to meet him!


I also have a blog that I try to update regularly. Word of mouth has also been a strong promotional aspect; I have a lot of regular customers who like to tell their friends about my work. I think it’s the ‘unique, one-off’ element of my work that people find attractive, knowing they are the only person to own a particular piece.
Attending craft fairs and taking part in exhibitions across the country is another way of promotion for me. I also think it is important that my website is kept up to date and looking fresh – so many people use the internet nowadays!







What’s your workspace like?  Can we have a sneak peek?  And do you have any workspace organisation tips for the rest of us?

The good thing about my workspace being fairly small is that I have no choice but to be organised! I usually have a general clean and tidy up after each working session, and plan what I’ll be doing ready for next time. I use the walls to pin up anything and everything, including inspirational images, design ideas, drawings, reminders, custom orders, and glaze samples.






What are the best and worst bits of running your business?
Being able to do what you love, and working towards your passion is the best feeling. Stepping outside into the garden and being at work is also great!
Hearing positive comments from customers is always one of the best things.
My workshop can get very cold during the winter months, and the cold can sometimes cause problems with the clay I use which is probably one of the worst things.

What other small (or not-so-small) creative businesses do you admire? 
I’m a huge admirer of Kirsty Elson’s driftwood designs. She is very clever and makes the most stunning pieces including houses and boats from driftwood found on the beaches in Cornwall. The thing I love most about her work is that everything is made using recycled materials.

What tips can you give to others who run (or hope to run) a small creative business?
If you have a passion for a particular 'dream' in life, don't stop until you reach that dream. Live your dream!

Never give up!

Don't be afraid to ask.

What are your hopes, plans or ambitions for the future? 
My aim is to slowly be able to build up my stockists of shops and galleries, and to get my work more well-known. It’s such a confidence boost to have someone recognise my work. I would also like to take part in a large trade show such as the Country Living Fair - one day!









Finally, where are the places we can find you online if we want to partake in a little friendly cyber stalking? (shop, blog, Twitter, Facebook, etc)
Twitter: https://twitter.com/#!/CHCeramics
Thanks so much for stopping by – it was so nice to be able to take the time to chat with you!
Thank you for the chat, hope your viewers like my work!

I don't see how anyone could fail to like your work Charlotte!  It was interesting to hear you talk about social media, because it's worked so well for me too.  It was fabulous to meet you at Theo's event, as well as the great man himself!

Wednesday 27 June 2012

Hello, New Fabric!

It's always exciting when a parcel arrives in the post isn't it?

This one got lost along the way and spent a day or two hanging out with the people who live next-door-but-one.  Ironically, they were out when it arrived and it was left in a plantpot in their back garden (I was probably in at the time).

Still, it got here in one piece . . .



and this is what I chose for my next £15 budget challenge from Abakhan: a metre each of contrasting fabric, buttons, webbing and a magnetic fastener.  I'll be making a beach bag/shopping bag - with beach huts on the front (that's what inspired the red and white stripe!).  OK, so there's way too many buttons for this project but they'll certainly not go unused for long!  I'm adding a little bit of fabric from my stash, but probably not much.

The real purpose of this bag will be as my post office bag.  The post office run is a daily one here and most of my shopping bags are a bit too small to be useful so I'm usually to be seen carrying an outsize Tesco bag.

I'd think I'd rather have one with beach huts on!

Tuesday 26 June 2012

How to Make a Pincushion from an Old Baby Shoe

 I think this might just qualify for the title of cutest pincushion ever...


 A huge bag of baby shoes was lying in a corner of my sewing room.  One daughter has a baby who was bought tiny shoes by seemingly everyone who knew her.  She tried to offload the outgrown (and some unworn) ones onto another daughter for her new baby - but most got left behind at my house, sadly unwanted but still impossibly cute (as baby shoes always are).

I rifled through the bag before taking it to the charity shop.  Surely I could do something with all that cuteness?


What made me think about pincushions, I'm not sure.  Maybe it was just the promximity of the sewing machine and the pins all over the floor.  Anyway, here it is.

How to Make a Pincushion from an Old Baby Shoe

You'll need:

old baby shoe with fabric around the top inside edge
a smallish piece of matching or contrasting felt (you could substitute any fabric, really)
old pebbles or glass nuggets for adding some weight and stability (optional)
stuffing - toy stuffing, offcuts of fabric or wadding, etc.
sewing thread

To Make the Pincushion:

Cut a circle from felt.  I drew round a roll of tape for the circle.  It doesn't have to be perfect, but make it at least about twice as big as the opening in the baby shoe.


Sew gathering threads around the circle (straight stitch on the machine set to its longest setting is perfect) and gather the edges by pulling up the threads


Place some stuffing into the circle and carry on gathering.  Once you've gathered as much as you can, bring the edges of the circle together underneath by handsewing opposite edges together and pulling all the edges in, bit by bit.  You'll end up with a ball shape that looks a bit like this underneath



and this on top



Stuff the shoe: I used a few clean pebbles at the bottom for weight and stability, followed by offcuts of fabric and wadding (batting).  Upcycling at its best!



Place the felt ball on top of the shoe and stitch to the shoe.



I noticed when photographing the finished pincushion that this shoe also gives me the perfect place to stash sewing needles - see below.  Bonus!


If this one pincushion isn't cute enough for you, how about these baby boots for storage, perfect for pens, seam ripper, small scissors and thread snips?  Possibly too much cute!


I like the idea of this pincushion in more ways than one.  I'll be telling my granddaughter when she's older all about how she used to wear these shoes!

This pincushion isn't just cute - it's about using something in a practical way and holding onto memories.  Love it.

Sunday 24 June 2012

Handmade Monday 72 and Questions for You

Hello and welcome to another Handmade Monday.

This week's been a good one for me!


I've been commissioned to write an article about one of my favourite subjects: blogging.  I'll be writing this for Craftseller magazine (it's planned for issue 15) and as part of it I want to quote a couple of other bloggers.  That might mean you, if you're up for it.  So, here's a couple of questions for you:
  • What got you into blogging?
  • How has blogging helped you sell your products? 
 I've a really tight word count on this and it's quite a big topic - so I won't be able to use everyone's quotes (sorry) and may need to edit any long quotes.  But I'm quite excited about writing this - you know how much I love blogging!  It'd be lovely to be able to promote other bloggers through it too.

Oh, and another question: do you have any bright ideas for images to illustrate an article about blogging?  I've a few ideas but they're asking for at least 12 images (yikes!).

Anyway, enjoy Handmade Monday!  Feel free to leave a comment about blogging, even if you aren't joining in this week.

Friday 22 June 2012

Tea & a Chat with Becky from Dots and Spots

Today we're having tea (or perhaps coffee!) and a chat with Becky from one of my favourite creative businesses: Dots and Spots.  I just love Becky's bright, fresh designs - and you really should check out her blog if you don't already know it.


Hello there Becky!  Good to see you, the kettle’s just boiled – what would you like to drink?

I’ll have a black coffee please!

OK, that's easy - make yourself comfy. So, tell us a bit about yourself and your business.

I’m a 41 year old mum of 2, living in Somerset with my fabulously supportive husband Jeff. I used to be an Early Years Teacher but finally gave up my part time teaching job a year ago now, to concentrate on the business full time. Dots and Spots is a stationery company producing unique, contemporary, hand collaged printed designs. Every design is produced by me, collaged by hand in my studio at home, then printed locally as much as possible or elsewhere in the UK. We produce cards, postcards, party invites and thank-yous, gift wrap, tags, decorative sticky tape, notebooks, stickers, mugs, magnets and more!



What inspired you to start your creative business? How did it all begin? 

We had lived in school boarding accommodation with my husband’s job for a number of years but bought our own house to use as a weekend bolt hole about 10 minutes away, 5 years ago. I had space there to have my own studio and a place where I could play and design whatever I liked. From my teaching days, I enjoyed working with paper and so my collage designs developed from there. I took them to my local printers to see if a good quality print could be achieved from my original artwork and went and asked a few local shops whether my designs would be something they would buy if I got them printed. It was ‘Yes's’ all round, so I took the plunge to get a set of designs printed and haven’t looked back!


How has your business changed and developed since it started?

My business has changed very much so, since the start– but I have taken very considered small steps as the business has grown. It was really doing our first trade show in July 2010 that the business leaped to another level. As a result of such a successful show, we moved the business out of the house into local, rented work premises and I took on some part time help to ease the workload. In the beginning we had a mix of printed, personalised and hand finished products on offer but had to give up the hand made things sadly, when the trade side of the business grew- we now stock 400+ trade customers. We are in a sensible position, in that we only do what we can pay for. We took the decision to not take out any loans, build the business at the pace with which we could afford to do so. If everything went wrong tomorrow, all we would have to find is money to cover the rent on the premises.

What are the main ways you promote your business?  Which methods have been the most successful for you?

Trade fairs are expensive to do but have been by far the most successful platform for the business, coupled with the various social media outlets like blogging, twitter and facebook.  It is important to have a good website as this is the best way to show off what you can do. Alongside it, I use twitter and facebook daily to share what we are doing and in more detail, blog 3-4 times a week about me, the business and other things Dots and Spots related.

We have been lucky enough to have our house featured in the February edition of Ideal Home magazine and often receive valuable editorial in trade magazines which helps spread the word.

What’s your workspace like?  Can we have a sneak peek? 

I have a studio space at home in the conservatory attached to the back of the house – it has fantastic natural light but can be extremely hot in Summer and freezing cold in the Winter. It works having my studio at home as I often work on designs in the evenings and during weekends and holidays . It’s a space I can dip in and out of and I don’t have to be constantly tidying up after myself if I have a project on the go. Ideally I would like it to be bigger, double the size, but it works for now. 


 The main stock and business bit of Dots and Spots, is housed over in the Anglo Trading Estate, about 5 minutes drive from the house. This is where we pick and pack all the orders and store all the stock. Having the space to have everything organised and laid out meant the business could move forward and more products could be developed and added to our growing range.


What are the best and worst bits of running your business?

The worst has to be the worry whether or not people will continue to buy your things, the unpredictability of all retail in this current climate – choosing to start a business as a major recession hit wasn’t the best planning but I believe if we can keep our head above water now in these difficult times, we should hopefully do well when we come out the other side!
Time and money are also 2 major factors when running your business – there are never enough hours in the day to do want you want/ need to do and there is never enough money to do everything you want to do.

The main positive for me running my own business, is having the flexibility to work alongside the needs and wants of the children – I have a 12 year old and 9 year old and am lucky enough to be able to drop everything if something is going on in school or not feel guilty about not working if they are ill. Yes, I work long hours and sometimes I can be so busy I want to run away and hide but the vast majority of the time, I’m in the enviable position of being my own boss and choosing to do what I want, when I want.

What other small (or not-so-small) creative businesses do you admire? 

I do admire a number of small businesses, many of which I have met through twitter. Gabriella Buckingham of Moobaacluck  http://www.moobaacluck.com/  fame is a very talented and honest lady, creating the most wonderful hand painted wooden products. Giddy Kipper http://www.giddykipper.net/  another company who paints wooden products on a slightly bigger scale, is also a real inspiration. I love the work of Cornish based artist Kirsty Elson http://kirstyelsondesigns.co.uk/ who makes wonderful pieces out of driftwood she finds on the beach. Two stationery businesses I like and admire are, Aianna http://www.aianna.co.uk/  who are just starting out and who I met at a London Trade Fair in January and the Little Paper Company http://www.littlepapergallery.com/  who is based in Guernsey.

What tips can you give to others who run (or hope to run) a small creative business?

Be honest, be prepared to work hard and develop the business how YOU want it to be and at your own pace.
It is always very tempting on twitter and facebook to see this person or that person doing this and that and getting caught up in doing what you think others want from you and not doing what you really want to do. Don’t get me wrong, it’s great to see what others are doing and you should be aware of what is going on around you but you may need to grow your business in a different way or at a different pace and you need to remain true to this.



What are your hopes, plans or ambitions for the future? 

I hope to still be here in 5 years time and more importantly, I hope to still be enjoying what I do. I think the minute that stops, then you are doing the wrong thing and you need to reconsider. I have lots of ideas I want to see achieved and lots of new products and designs I want to develop but in relies on time and money so hopefully in the future, I may be able to see some of these ideas realised.

Finally, where are the places we can find you online if we want to partake in a little friendly cyber stalking?


Thanks so much for stopping by – it was so nice to be able to take the time to chat with you!

Before I go can I just give a little mention to the fabulous Swans of Wells Jubilee Art project that I am involved with – 60 swans, decorated by different artists will be on display throughout the Summer in the city of Wells, Somerset. My swan Royally Dotted and Wells Spotted  - collaged by hand using our spotty paper designs, will be on display in the Market Place, Wells from now until the end of August. It will then be auctioned off with the rest of the flock in September to raise money for local charities.




It's a pleasure Becky!  Lovely to have coffee with you!

Thursday 21 June 2012

Tonight I'm...

Tonight I'm going to be in Stockton Heath village, in the Coffee au Clay shop, with seven other craft stalls, having fun and meeting customers.

The Sunflower Craft Fest is small and cosy but promising to be lots of fun, with quirky crafts for sale and free wine served in vintage china.  How lovely!  More info over at The Make and Do Studio


Wednesday 20 June 2012

Janet Bolton Workshop by Lynne Gill


I've long been a fan of Janet Bolton, having a couple of her books on my bookcase dating back to the 1990's.  Here's someone else finding them interesting!


a new JB recruit?


 When I was reading Lynne Gill's  Textile Treasury blog I was fascinated by Lynne's Janet Bolton style pieces - and wasn't surprised to read of Janet's influence.  I'm quite envious that Lynne had the opportunity to go to a Janet Bolton workshop and was really pleased she agreed to write about her experience here.  

Over to Lynne from  Textile Treasury...

I wasn’t in the best of health at the time, and had been experiencing a two-year long ‘falling out’ with everything stitchy. Eventually a good friend took me to task, said I’d been messing about with paper and paint for too long, and hauled me off to a Janet Bolton 2-day workshop in the pretty Northants village of Oundle.


Now, I had long been a fan of Janet’s work, and had one or two of her books, but I had never attempted to make any of her pieces, as I was until then making quite large quilts. No matter, I thought two days of gentle stitching would be just the ticket. And it certainly was!

Although trained in fine arts, Janet discovered an affinity for creating pictures from fabric and her career took an unexpected direction. However it’s wise to remember that artistic background, as her work can appear misleadingly simple, due to its naïve, folky style. In fact, every stitch is a deliberate statement, and she has an artist’s eye for balance and placement. Her reputation is as a textile artist, and her work is collected worldwide.


There were about a dozen of us embarking on the workshop, all with some prior knowledge of Janet’s work. We had brought with us very meagre requirements – lunch! Basic sewing equipment, varying amounts of fabric and threads, note pads pencils and high expectations! The atmosphere was friendly, peaceful and non-threatening. This is not a workshop to be worrying about in advance.

Janet is herself very down-to-earth, friendly, humourous, and generous. She brought with her many of her stitched pieces, her books, and a stash of scraps which she kindly encouraged us to rummage through and help ourselves to. We needed no second bidding! 


We were shown Janet’s process of working, and the methods she employs. First creating a background, framing this with strips and then backing the whole piece and neatening it off before adding the detail. This is a very pleasing way of working, as it is so much more enjoyable working on a tidy piece of work, rather than frayed and flapping unfinished edges. If you don’t like to see a ‘mess’ on the back, it is easy to add a further, concealing backing to the whole thing. Janet ‘previews’ each element by cutting the shape to its finished size, in order to be able to place the pieces exactly where they will go. Then each element is re-cut to include turnings, and each is placed and stitched in order.

Very basic stitches are used – running, slip, hemming and French knots. I can’t think of any others. Stitches are used to secure, or to add detail in a painterly fashion. Sometimes they are hidden, at others they are deliberately visible.



Then it was time to get cracking with our own attempts. Janet encouraged us to design something ourselves – most people's turned out looking remarkably like Janet Bolton pieces, even if you’d have no difficulty telling hers from ours! I began with an idea in my head, but grew steadily disenchanted with it as the afternoon wore on. Finally, despite help and encouragement, I asked if I could start again, choosing something from one of her books. Of course, there was absolutely no problem with this, and I was relieved and happier to be starting anew. I chose one of the ‘flower beds’ from her In a Patchwork Garden book, which I had brought with me. This time I was well away and though some of the pieces are a little clumsier than I’d like them to be – Janet encouraged us to ‘eye-ball’ the shapes – I am still quite pleased with it.
There is great satisfaction to be had, stitching these tiny pieces. The sewing is soothing and undemanding. The only practical difficulty I could envisage is working on such a small scale if you are more used to working larger, or if your hands /fingers are less nimble than you’d like them to be. No matter, both the method and Janet herself are beautifully accommodating, and you can work within your own comfort zone. 

 Shibori Garden

The two days passed by delightfully, we stitched tranquilly, shared food and drink, got the undivided attention of this incredibly talented and amiable woman, and left well pleased with our endeavours. I actually finished mine when I returned home – which is quite unusual for me. Since then I have become hooked on making these small stitcheries; many of them are from Janet’s books, but I gradually became confident enough to begin designing my own. Granted, they are still recognizable as Janet Bolton style, her work is so popular it is recreated endlessly. However, I like to think that I am slowly developing my own style.

 Avocets at Titchwell

Janet continues to wander throughout the UK and further afield, beguiling and encouraging her students. I feel more and more privileged to have been lucky enough to attend one of her workshops, and actually it’s all thanks to that friend of mine who dragged me out of my doldrums and back to stitching again. If you get the opportunity to get on a workshop, do go, you won’t regret it! 

Lynne, thanks so much for sharing your experience with us.  The pieces you're designing yourself are a definite "moving on" aren't they?  They're retaining the Janet Bolton influence but you're putting more of yourself into them - I love them.

Visit Lynne's blog to see more of her work.

Tuesday 19 June 2012

The Laptop/Art Bag that Thinks it's a Travel Bag

I made this bag as part of Abakhan's £15 budget challenge.


Abakhan kindly provided me with £15 worth of materials (which rather confusingly ended up being a bit more - my fault, I confuse easily!) and I made this bag.  To be fair, I added some plain calico from my own stash to make the fabrics go further, a great ploy when you're on a budget.  The buttons were all from my own button box too.  I chose some lovely fabrics from Abakan - the leaf and stripe are actually heavy cotton curtain fabric - perfect for bag making!  As per usual, they arrived promptly.

Because everything was 100% cotton and I wanted this bag to be machine washable, everything had a whizz in the washing machine before I started.  It softened the cotton up beautifully. 

I wanted a bag that would safely house my laptop but into which I could stuff lots of other things too - a travel bag or weekend bag, if you like, although it may well end up being called the Agnes bag (more about that here) after my Mum.


I wanted to make this bag as a tutorial or pattern, but I'm not yet fully happy with the way the central pocket joins up to the rest of the bag - it works, but it's a bit on the fiddly side and I think there's got to be an easier way to do this!

 I've also decided the laptop pocket needs a closure: buttons and loops or Velcro are options, but I might go back to my original plan of a simple zip.  I abandoned the zip idea because of the over-complicated central pocket join. So, this bag, while I'm going to really enjoy using it, is really the practice-run/learning curve for another, super-improved bag.  I shall need a break and some thinking space before I tackle version two though!

this join is the bit I'm not happy with - where the centre pocket joins the rest of the bag

Despite a few niggles, there are some things I really love about this bag:
  • The soft, natural scrunchiness.  The fact its main outer part is made from two layers of heavy but soft cotton makes it feel just lovely: very soft and quite squishy.
  • The cosiness.  The internal pockets are padded (the idea of those is to help protect the laptop in the middle pocket) which makes the bag even softer and squishier with quite a luxurious feel.
  • The colours.  I love pale duck-egg blue with red and white and it's nodding at the patriotic too in this Jubilee/Olympics year.

  • The pockets - there are so many of them! The Kindle pocket is (sensibly, I think) next to my glasses pocket (yay, an actual pocket for my glasses - I'm always losing them!), the zip pocket will fit my pencils, pens and even a 12" ruler.  Oh joy (I'm easily pleased!).  Pockets either side of the laptop pocket will fit an A4 sketchpad and an even bigger pad, too.

    zip pocket for pencils pens and even a 12" ruler
    • It can be used even when I don't want to take my laptop along - the bag works as a travel bag or weekend bag and doesn't look at all like a laptop bag, which I like.  In a darkish corner of my mind, I imagine that travelling with what obviously looks like a laptop bag might just make you a target for muggers, if there just happens to be any hanging about looking for their next victim. I'd guess the muggers wouldn't look twice at my squishy fabric concoction!  Maybe this is just me, and is a legacy of many years working in prison education.  However, I feel quite safe sharing the information that this bag might house my laptop when I'm travelling, because muggers surely don't read craft blogs.  

    For extra security the bag can be worn cross-body!
    • The buttons on the front.  When I design something, I don't always have it all mapped out at the start.  In fact, I'm quite bad at that, and usually make things up as I go along - it's the same when I'm painting.  This button heart was a last-minute addition and I love it!


     So, if you're inpired to make a bag using these fabrics, you'll find the Leaf pattern (Covent Garden) and the stripe (Metro Stripe) on the curtain fabrics pages at Abakhan and the dotty fabric I used is on the cotton prints pages. They all come in other colourways too.  Usefully, Abakhan also sells wadding, zips and buttons so you may get everything you need in one place and delivery is quick (well, it certainly always has been for me).

    There are loads of bag patterns on Craftsy, so you may find one you like (or can adapt) on there.  Meanwhile, I will at some point polish this design up a bit before I offer it you as a pattern or tutorial!

    As modelled by my lovely daughter and granddaughter...

     So, Mum, can I get in on this modelling lark too?

    Lovely, let's lean against this wall and pretend we're waiting for a train.

    OK, I've had enough now.  Let's go.
    P.S. I'd love at some point to offer this as a pattern or tutorial, so I'd love feedback from others who might use a bag like this:
    • what would you like to see in a laptop/travel bag?
    • what bits do you like/not like about this bag?
    • what would you need to house in a bag like this?
    As usual, please do leave a comment - I'd love to read your feedback.